Audio Sound Engineer

ROLE OVERVIEW

Responsible for all aspects of sound production for live news, remote and studio broadcasts, and recorded shows. Duties will be production mixing, A-2, stage monitor mixer, and general audio needs in the plant, as needed.

MAIN RESPONSIBILITIES

• Setting up sound and recording equipment, adjusting, and testing the equipment.
• Creating, maintaining, and adjusting proper mix of sound sources in live and/or recorded production
• Mixing for live News and various live and pre-recorded productions.
• Planning and setting up on stage for live music, dance, and theatrical performances, including stage personal (A-2), monitor or musical production mixing.
• Communicating effectively with the Control Room including Producers, Directors, and Stage Managers
• Keeping up to date with the newest techniques and best practices within audio
• Remote production audio mixing, planning and setup.  Build console configuration, transmission and recording paths, create IFB and mix-minus feeds.
• Occasional A2 duties to cover breaks and meals.
• Set up and operate in-house P.A. and conferencing needs.

SKILLS & EXPERIENCE

• Must be organized and methodical
• Undergraduate degree in broadcast technology radio/TV/film or equivalent related experience
• Minimum (3) three years of technical experience as an Audio Mixer
• Must be proficient in microphone techniques and all aspects of mixing and sound support for Studio and Remote Field Production
• Fast learner and adaptive to new workflows and key commands
• A detailed ear for EQ (especially dialogue)
• Creative problem-solving
• Ability to setup and configure digital audio boards with experience using SSL and CalRac audio boards preferred.
• Able to perform all duties under high stress situations and conditions.
• Excellent communication skills both oral and written.
• Strong knowledge of production and recording sound techniques
• Familiarity with DANTE and MADI
• In-Depth Knowledge of Pro Tools, Audition and/or Audacity a plus
• Experience with music recording/broadcast, FOH or stage monitor mixing.

Compensation
$50.10 /hour+ commensurate with experience and skill level

All qualified applicants will receive consideration for employment without regard to disability, protected veteran status, or any other characteristic protected by local, state, or federal laws, rules, or regulations.

KTLA will consider qualified applicants with criminal histories in a manner consistent with the Los Angeles Fair Chance Initiative for Hiring.

#LI-Onsite