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Inbeat Agency

Inbeat Agency

Freelance Senior Integrated Creative (Video + Design)

Role

Freelance Senior Integrated Creative (Video + Design)

Location

Remote

Job type

Contract

Found on Mokaru

2 weeks ago

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Salary

Not disclosed by employer

Job description

We're looking for a Senior Integrated Creative who can seamlessly blend video editing and graphic design to create high-performing, on-brand campaign assets. This is a hands-on role for a highly skilled maker who thrives across both motion and static creative,someone who can take raw footage, brand guidelines, and a creative brief and turn them into polished, performance-driven content from concept to delivery.

You'll own the full creative process, producing video content, thumbnails, social graphics, banners, and supporting assets that work together as a cohesive campaign. The ideal candidate combines exceptional craft, strong creative judgment, and a deep understanding of content built to perform across social, digital, and paid media channels.

KEY RESPONSIBILITIES

  • VIDEO EDITING AND SEQUENCING (PRIMARY)
  • Edit short-form (TikTok, Reels, Shorts) and long-form (YouTube) footage into finished cuts, from selects through to final export.
  • Sequence, pace, and structure raw footage into a narrative that holds attention in the first three seconds and lands the message.
  • Colour grade for consistency across a campaign and across delivery formats and platforms.
  • Source and integrate stock footage where original material falls short.
  • Apply sound design, music, and audio levelling so the edit feels finished, not assembled.
  • GRAPHIC AND STATIC DESIGN (PRIMARY)
  • Design thumbnails, social graphics, digital banners, and ad creative that pair with the video work.
  • Apply typography, colour, layout, and hierarchy to a professional standard across formats and aspect ratios.
  • Adapt a single concept into a full set of platform-native sizes and variants without losing fidelity.
  • Conceptualise assets from a brief, not only execute against a locked spec.
  • MOTION DESIGN AND THE BRIDGE BETWEEN STILL AND MOVING (PRIMARY)
  • Build motion graphics, animated text, lower thirds, and transitions in After Effects.
  • Carry graphic design principles (type, colour, layout) into the video timeline so static and motion feel like one system.
  • Produce simple VFX, masks, and overlays where the edit calls for them.
  • Animate static brand assets into motion treatments and back again, keeping the look coherent in both states.
  • BRAND CONTINUITY AND CREATIVE SYSTEMS (PRIMARY)
  • Keep fonts, colours, logo usage, and visual treatment consistent across every video edit and static asset for a given client.
  • Work from and contribute to brand kits, templates, and reusable project files that speed up the next round.
  • Catch and fix off-brand drift before it ships, across both disciplines.
  • PERFORMANCE CREATIVE COLLABORATION (SECONDARY)
  • Partner with paid media and strategy on creative built to be tested, iterated, and scaled.
  • Produce variants and iterations quickly in response to performance data, not only one hero asset.
  • Turn around quick-cycle edits using lightweight tools where speed beats polish.
  • CRAFT LEADERSHIP AND MENTORSHIP (IC3 EXPECTATION)
  • Set the quality bar for integrated creative work and hold it under deadline pressure.
  • Review and uplift the work of junior designers and editors, giving specific, actionable feedback.
  • Document repeatable approaches (project file setup, export presets, template systems) so quality does not live only in one person's head.

DELIVERABLES

  • Finished short-form edits (TikTok, Reels, Shorts) delivered to brief, on brand, and platform-ready.
  • Long-form edits (YouTube and similar) sequenced, graded, and sound-designed.
  • Matching static set for each video: thumbnail, social graphics, and ad variants in all required sizes.
  • Motion graphics package per campaign: animated text, lower thirds, transitions, and brand intros/outros.
  • Reusable template and project-file system that cuts setup time on the next round of similar work.
  • Brand-consistent asset libraries maintained per client across both video and static formats.
  • Iteration sets produced in response to performance feedback, delivered within agreed quick-turnaround windows.

KPIS (OWNED OUTCOMES)

  • Quality bar: Work ships to a senior standard in both video and design, consistently, without rework cycles caused by craft gaps.
  • Brand consistency: Zero off-brand assets reaching clients after Day 90; fonts, colours, and treatment correct by default.
  • Turnaround: Quick-cycle edits and variants delivered within agreed windows; throughput holds under volume.
  • Integration: Video and static assets for a campaign ship as one coherent set, from one owner, without a designer-to-editor handoff.
  • Iteration speed: Performance-driven variants produced fast enough to keep pace with testing cadence.
  • Leverage: Template and project-file systems measurably reduce setup time on repeat work.

SKILLS & EXPERIENCE

ESSENTIAL (NON-NEGOTIABLE)

  • 4+ years producing both video edits and graphic design assets in an agency, in-house creative team, or high-volume content environment.
  • A portfolio that proves both halves: finished video work (short and long form) and static design work (thumbnails, social, ad creative), not one discipline with the other bolted on.
  • Video: Strong command of Adobe Premiere Pro and DaVinci Resolve for cutting, sequencing, and colour grading.
  • Motion: Adobe After Effects for animation, text treatments, simple VFX, and overlays.
  • Design: Adobe Photoshop and Illustrator, and Figma, for conceptualising and producing static assets.
  • Quick turnaround: Comfortable with lightweight tools (CapCut, Canva Pro, or equivalent) for speed-first work.
  • Real fluency in typography, colour, layout, and hierarchy, and the discipline to carry it into a video timeline.
  • Demonstrated ability to hold brand consistency across both video and static output.
  • Self-directed in a remote-first team; clear, low-friction communicator who delivers without hand-holding.

DESIRABLE

  • Experience producing performance creative built to be A/B tested and scaled, not only brand-film work.
  • Sound design and audio editing skill beyond basic level.
  • Familiarity with social platform mechanics and what makes a hook hold in the first three seconds.
  • Experience mentoring or reviewing the work of junior designers or editors.
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